{"id":59,"date":"2017-02-22T16:49:06","date_gmt":"2017-02-22T15:49:06","guid":{"rendered":"https:\/\/staging.paulinerousseau.com\/?page_id=59"},"modified":"2024-02-15T13:51:32","modified_gmt":"2024-02-15T12:51:32","slug":"cv","status":"publish","type":"page","link":"https:\/\/staging.paulinerousseau.com\/index.php\/cv\/","title":{"rendered":"Infos"},"content":{"rendered":"
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Pauline Rousseau est n\u00e9e en 1989, apr\u00e8s des \u00e9tudes de litt\u00e9rature (hypokh\u00e2gne) elle int\u00e8gre l\u2019Ecole du Louvre dont elle sort dipl\u00f4m\u00e9e en 2012. Elle\u00a0obtient le dipl\u00f4me de master II de l’Ecole Nationale Sup\u00e9rieure de la Photographie en 2016 et soutient un master II intitul\u00e9 D\u00e9bandade<\/i> qui questionne les masculinit\u00e9s sous le prisme des questions de genre.<\/p>\n

La m\u00eame ann\u00e9e, elle r\u00e9alise, gr\u00e2ce \u00e0 une bourse, un post- dipl\u00f4me \u00e0 l\u2019International Center of Photography de New-York et est laur\u00e9ate de la Carte Blanche du PSG et nomin\u00e9e pour la Bourse du talent de la BNF.<\/p>\n

Depuis 2016, elle a particip\u00e9 \u00e0 de nombreuses r\u00e9sidences : \u00e0 Saint-Tropez avec la DRAC PACA, en Martinique avec les Ateliers M\u00e9dicis dans le cadre de la r\u00e9sidence Cr\u00e9ation en cours, \u00e0 l\u2019h\u00f4pital Georges Pompidou \u00e0 Paris avec l\u2019INSERM lors de la r\u00e9sidence La Recherche pour l\u2019Art, \u00e0 Zinder au Niger \u00e0 l\u2019invitation du CNRS et de l\u2019ambassade de France au Niger, et au mus\u00e9e des Beaux-Arts de Draguignan.\u00a0<\/span><\/p>\n

Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 entre autres, aux Rencontres Internationales de la Photographie \u00e0 Arles, \u00e0 la galerie Agn\u00e8s B \u00e0 Paris, \u00e0 la Fondation Yvon Lambert \u00e0 Avignon, \u00e0 l\u2019Alliance Fran\u00e7aise de Singapour, au Centre culturel Franco-Nig\u00e9rien de Niamey, au Mus\u00e9e des Beaux-Arts de Draguignan, \u00e0 Tropiques Atrium en Martinique et au Palais de Tokyo.\u00a0<\/span><\/p>\n

En 2018, elle publie deux livres d\u2019artistes aux \u00e9ditions Dilecta.<\/p>\n

Ses \u0153uvres se trouvent dans des collections priv\u00e9es \u00e0 Paris, New-York, Barcelone, Milan et Lausanne.<\/p>\n

Elle collabore r\u00e9guli\u00e8rement avec la galerie Dilecta<\/a> (depuis 2018) et la galerie Paris-b<\/a> (depuis 2021).<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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PERFORMANCES<\/h3>\n
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2023<\/h4>\n

Homonyma<\/strong>,<\/i> \u00e0 Bozar, \u00e0 l\u2019invitation du Live Magazine – Bruxelles<\/p>\n

Homonyma<\/strong>,<\/i> \u00e0 La Philharmonie de Paris,<\/a> \u00e0 l\u2019invitation de Demain – Paris<\/p>\n

2022<\/h4>\n

Homonyma <\/i><\/strong>au Th\u00e9\u00e2tre Libre<\/a>, \u00e0 l\u2019invitation du Live Magazine – Paris<\/p>\n

Homonyma<\/strong> durant le PHOTOSLAM <\/i><\/a>au Th\u00e9\u00e2tre Antique, Rencontres Arles – Arles<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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EXPOSITIONS PERSONNELLES<\/h3>\n
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2022<\/h4>\n

Alors Que Leurs Voix S\u2019\u00e9l\u00e8ve<\/i>nt<\/em>,<\/strong> Tropiques Atrium de Fort-de-France, commissariat par \u00c9line Gourgues – Martinique<\/p>\n

2020<\/h4>\n

\u00a0The Would Me<\/a>\u00a0& D\u00e9lits d’objets<\/em><\/strong>\u00a0– \u00e0 la galerie\u00a0Dilecta –<\/a>Paris<\/p>\n

Zinder 1900 – 2019,<\/em>\u00a0Centre Culturel Franco-Nig\u00e9rien<\/a>\u00a0de Niamey<\/b>\u00a0\u00e0 l\u2019invitation du\u00a0CNRS<\/a>\u00a0et de l’ambassade de France au Niger- Niamey<\/p>\n

2018<\/h4>\n

Le Catalogue<\/strong><\/em>, exposition dans le clo\u00eetre de La Chapelle de L’observance et au Mus\u00e9e des Beau-Arts de Draguignan – Draguignan<\/p>\n

Visages<\/strong>,<\/em> \u00e0 l’h\u00f4tel de l’Industrie pendant les Journ\u00e9es du Patrimoine – Paris<\/p>\n

2017<\/h4>\n

Les Oiseaux<\/em><\/strong>, Biblioth\u00e8que Benjamin Rabier – Paris<\/p>\n

Dans (leurs) lits<\/strong><\/em>, Galerie G – Toulon<\/p>\n

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EXPOSITIONS COLLECTIVES<\/h4>\n

2023<\/h4>\n

Amour(s)<\/i><\/strong>, au Studio 13\/16, Centre\u00a0<\/span>Pompidou – Paris<\/p>\n

O Caminho<\/strong>, <\/i>Villa Tijuca – Alliance Fran\u00e7aise de Rio de Janeiro –<\/p>\n

Les Exp\u00e9rimentales #2,<\/strong> exposition \u00e0 l\u2019Espace des Femmes et sur les Quais de Seine, dans le cadre du festival Photo Saint-Germain – Paris<\/p>\n

Collective (R)\u00e9volution<\/strong>, B\u00d8WIE Gallery – Gen\u00e8ve<\/p>\n

2021<\/h4>\n

Faire Corps<\/i>,<\/strong> exposition collective \u00e0 la galerie Paris-B, commissariat par Camille Bardin – Paris<\/p>\n

Embrasemen<\/i>t<\/strong>, exposition collective \u00e0 la galerie Dilecta, commissariat par Thomas Fort – Paris<\/p>\n

Du jour au lendemain<\/i>,<\/strong> exposition collective en hommage aux victimes des attentats de 2015 en partenariat avec la ville de Paris, commissariat\u00a0 <\/span>par Laura Serani, devant l\u2019Assembl\u00e9e Nationale – Paris<\/p>\n

Regards Adolescents<\/strong><\/em>, projet p\u00e9dagogique et exposition \u00e0 l\u2019invitation du Mus\u00e9e Rodin, Mus\u00e9e Rodin – Paris<\/p>\n

2019<\/h4>\n

(all) Ready-Made<\/em>,<\/b> Espace Beaurepaire, commissariat r\u00e9alis\u00e9 par\u00a0Museum of Everybody – Paris<\/p>\n

La Recherche pour l’art,<\/em>\u00a0\u00a0<\/b>en partenariat avec l’INSERM<\/a>, Rencontres Internationales de la Photographie – Arles\u00a0\u00a0<\/strong><\/p>\n

Collector #3,<\/strong><\/span><\/em>\u00a0curation par\u00a0LES JEUNES CRITIQUES D’ART<\/a>, galerie\u00a0Dilecta<\/a>, Paris\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>\u00a0<\/span>\u00a0\u00a0<\/span><\/p>\n

2018<\/h4>\n

The Voices behind the victories<\/strong>, \u00e0\u00a0l’Alliance Fran\u00e7aise de Singapour<\/a>– Singapour<\/p>\n

Retours d’ailleurs<\/strong>, Galerie Arena – Arles<\/p>\n

Projection du projet\u00a0\u201c55\u201d\u00a0<\/strong>r\u00e9alis\u00e9e en collaboration avec\u00a0Juliette Seban<\/a><\/strong>\u00a0, l\u2019invitation du\u00a0Coll\u00e8ge International de Philosophie, durant la Nuit des Id\u00e9es 2018, Palais de Tokyo<\/a> \u2013\u00a0Paris<\/p>\n

2017<\/h4>\n

Cocktail Sous Les Tropiques<\/strong><\/em>, LaVall\u00e9e – Bruxelles<\/p>\n

Pi\u00e8ce Mont\u00e9e<\/strong><\/em>,\u00a0Collectif Sous Les Tropiques – Bruxelles<\/p>\n

R\u00eavez<\/strong><\/em>, Fondation Yvon Lambert <\/a>– Avignon<\/p>\n

2016<\/h4>\n

Faire Surface<\/strong><\/em>, Galerie Agn\u00e8s b – Paris<\/p>\n

Byopaper<\/strong><\/em> (s\u00e9lection par Fisheye Magazine)<\/a>,\u00a0Rencontres Internationales de la Photographie<\/a>\u00a0– Arles<\/p>\n

Conversations Photographiques<\/strong><\/em> en duo avec Olivier Culmann, Rencontres Internationales de la Photographie<\/a> – Arles<\/p>\n

4 x 6<\/strong><\/em>, Galerie du Magasin de Jouet – Arles<\/p>\n

Pi\u00e8ge de Cristal<\/strong><\/em>, Collectif Sous Les Tropiques – Bruxelles<\/p>\n

Fragilit\u00e9<\/strong><\/em>, Galerie G – Toulon<\/p>\n

2015<\/h4>\n

WIP<\/strong><\/em>, Eglise Saint-Julien pendant la semaine d’ouverture des Rencontres Internationales de la Photographie – Arles<\/p>\n

Nuits Voies Off<\/strong><\/em>, Projection dans la cour de l\u2019Archev\u00each\u00e9 durant la semaine d\u2019ouverture des Rencontres Internationales de la Photographie – Arles<\/p>\n

Passion(s) du Christ<\/strong><\/em>, Galerie ETE 78 – Bruxelles<\/p>\n

Epic Light<\/strong><\/em>, Carpe Diem centro de arte e pesquisa <\/a> – Lisbonne<\/p>\n

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PRIX & R\u00c9SIDENCES<\/h3>\n
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2023<\/h4>\n

Laur\u00e9ate du programme O Caminho<\/i> organis\u00e9 par Le R\u00e9seau Diagonal et l\u2019Alliance Fran\u00e7aise de Rio. R\u00e9sidence d\u2019artiste \u00e0 Rio de Janeiro – Br\u00e9sil<\/p>\n

Rouvrir Le Monde<\/i>, r\u00e9sidence d\u2019artiste au Centre de la Photographie de Mougins – France\u00a0<\/span><\/p>\n

2022<\/h4>\n

Massa Stories<\/i>, r\u00e9sidence d\u2019artiste au sud d\u2019Agadir – Maroc<\/p>\n

Laur\u00e9ate du Mentorat #2 des Filles de la Photo<\/i><\/p>\n

Rouvrir le Monde<\/i>, r\u00e9sidence soutenue par la DRAC PACA – Marseille<\/p>\n

Finaliste du\u00a0BMW ART PROJECT x Rencontres Arles, en duo avec la commissaire d\u2019exposition Margaux Bonopera<\/p>\n

2021<\/h4>\n

Rouvrir le Monde<\/i>, r\u00e9sidence soutenue par la DRAC PACA – Saint-Tropez\u00a0<\/span><\/p>\n

2020<\/h4>\n

Artiste laur\u00e9ate de la R\u00e9sidence Cr\u00e9ation en Cours avec les Ateliers M\u00e9dicis – Martinique<\/p>\n

2019<\/h4>\n

Laur\u00e9ate de la Bourse La Recherche pour l’Art<\/a> en partenariat avec l’Inserm<\/a><\/p>\n

2018<\/h4>\n

R\u00e9sidence \u00e0 Zinder \u00e0 l’invitation du CNRS et de l’ambassade de France au Niger<\/p>\n

R\u00e9sidence d’artiste au mus\u00e9e des Beaux-arts de Draguignan<\/p>\n

2017<\/h4>\n

Laur\u00e9ate de la Carte Blanche Photographique du PSG<\/a><\/p>\n

Nomin\u00e9e pour la Bourse du Talent de la BNF<\/a><\/p>\n

2016<\/h4>\n

Bourse de Recherche et de Cr\u00e9ation Internationale obtenue pour passer un semestre \u00e0 l\u2019International Center of Photography<\/a> \u00a0\u00e0 New-York<\/p>\n

Nomin\u00e9e pour le prix Madame Figaro\/Rencontres Internationales de la Photographie<\/p>\n

Premier Prix du Festival Them\u2019Art – Toulon<\/p>\n

2015<\/h4>\n

R\u00e9sidence Studio Vortex <\/a>avec Antoine d\u2019Agata-Arles<\/p>\n

2014<\/h4>\n

R\u00e9sidence Carpe Diem Arte e pesquisa <\/a>– Lisbonne<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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LIVRES & PUBLICATIONS<\/h3>\n
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2022<\/h4>\n

Du pass\u00e9 au Pr\u00e9sent : r\u00e9activer l\u2019archive ( Zinder 1900-2022)<\/strong>,<\/i> <\/b>livre \u00e9dit\u00e9 par Les Archives Nationales d\u2019Outre-Mer en partenariat avec le CNRS et la BNF (\u00e0 para\u00eetre)<\/p>\n

2021<\/h4>\n

ART : GENRE F\u00c9MININ<\/i><\/strong> , livre co-\u00e9dit\u00e9 par AWARE, l\u2019Univer\u00adsit\u00e9 Paris 1 Panth\u00e9on-Sorbonne et la Monnaie de Paris<\/p>\n

2020<\/h4>\n

Du Jour au lendemain<\/i><\/strong>, livre de l\u2019exposition \u00e9dit\u00e9 par 13onze15, 1000 exemplaires, 2020\u00a0<\/span><\/p>\n

2019<\/h4>\n

The Would be M<\/i>e<\/strong>, \u00e9ditions Dilecta, livre d\u2019artiste\u00a0<\/span><\/p>\n

D\u00e9lits d\u2019objets<\/i><\/strong>, \u00e9ditions Dilecta, livre d\u2019artiste<\/p>\n

La Recherche pour l\u2019art<\/i><\/strong>, catalogue d\u2019exposition<\/p>\n

\u00a0<\/span>2016<\/h4>\n

\u00c9chap\u00e9es Belles<\/i><\/strong>, \u00e9dition Diaphane, 2016<\/p>\n

Catalogue des Rencontres Internationales de la Photographie<\/i><\/strong>, 2016, Actes Sud<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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CONF\u00c9RENCES, WORKSHOPS, JURYS<\/h3>\n
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2023<\/h4>\n

Artiste invit\u00e9e pour une conf\u00e9rence \u00e0 l\u2019Universit\u00e9 Johns Hopkins durant le colloque\u00a0<\/em>Nudit\u00e9(s)<\/em> ,<\/a> organis\u00e9 par le Department of Modern Languages and Literatures <\/em>\u00e0 Baltimore – USA<\/p>\n

Interventions et pr\u00e9parations au dipl\u00f4me \u00e0 l\u2019\u00c9cole Duperr\u00e9 – Paris\u00a0<\/span><\/p>\n

2022<\/h4>\n

Amour(s)<\/i>, au Studio 13\/16 au Centre Pompidou – Paris<\/p>\n

Artiste invit\u00e9e dans le cadre d\u2019un cycle sur la photographie contemporaine \u00e0 la Philipps-Universit\u00e4t de Marburg – Allemagne<\/p>\n

Regards d’Adolescents, Projet p\u00e9dagogique \u00e0 l’invitation du Mus\u00e9e Rodin et r\u00e9alisation d’une \u0153uvre collective avec les coll\u00e9giens du coll\u00e8ge Jean Jaur\u00e8s \u00e0 Saint-Ouen<\/p>\n

2019<\/h4>\n

Invit\u00e9e avec Frank Lamy et Damien Dellile de la table ronde\u00a0L’autre…l’homme<\/em>\u00a0\u00e0 la Monnaie de Paris, organis\u00e9e par\u00a0Aware<\/a>\u00a0– Paris<\/p>\n

Pr\u00e9sentation au Mus\u00e9e Rodin dans le cadre du cycle Le corps : cr\u00e9ation et repr\u00e9sentation dans les arts<\/i><\/p>\n

2018<\/h4>\n

Invit\u00e9e dans l\u2019\u00e9mission La S\u00e9rie Documentaire sur France Culture : Masculins, est-ce ainsi que les hommes se vivent ?<\/i><\/p>\n

Artiste invit\u00e9e aux jurys de fin d’ann\u00e9e \u00e0 la\u00a0Parsons School<\/a> – Paris<\/p>\n

2017<\/h4>\n

Artiste invit\u00e9e par la R\u00e9union des Mus\u00e9es Nationaux pour r\u00e9aliser des ateliers aux Archives Nationales – Paris<\/p>\n

Interview sur France Culture, dans La Grande Table de l\u2019\u00e9t\u00e9\u00a0<\/span><\/p>\n

2016<\/h4>\n

Conf\u00e9rence<\/a> dans le cadre d\u2019un cycle de conf\u00e9rence concernant le f\u00e9minisme dans l\u2019art, en lien avec l’exposition Judy Chicago – CAPC Bordeaux\u00a0<\/a><\/p>\n

Participation aux jurys d’admission \u00e0 l’Ecole Nationale Sup\u00e9rieure de la Photographie – Arles<\/p>\n

Interventions artistiques au sein du Centre P\u00e9nitentiaire Toulon La Farl\u00e8de – Toulon<\/p>\n

2015<\/h4>\n

\u00ab D\u00e9bandade \u00bb <\/a>M\u00e9moire de Master II sous la direction de Fabien Vallos – \u00c9cole nationale sup\u00e9rieure de la Photographie – Arles<\/p>\n

2014<\/h4>\n

Professeur d\u2019histoire de l\u2019art l\u2019\u00e9cole \u00e9l\u00e9mentaire Paul Vaillant-Couturier – Romainville<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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FORMATION<\/h3>\n
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2016<\/h4>\n

Post-dipl\u00f4me \u00e0 l\u2019ICP School- New-York<\/p>\n

2013-2016 <\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h4>\n

Dipl\u00f4me de l\u2019\u00c9cole Nationale Sup\u00e9rieure de la Photographie- Arles<\/p>\n

2015\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h4>\n

\u00c9change universitaire \u00e0 La Cambre- Bruxelles<\/p>\n

2008-2012 \u00a0 \u00a0 \u00a0<\/span><\/span><\/h4>\n

Dipl\u00f4me de l\u2019\u00c9cole du Louvre, <\/a>Arch\u00e9ologie, histoire de l\u2019Art et mus\u00e9ologie – option \u00ab\u00a0Art du 20e si\u00e8cle\u00a0\u00bb<\/p>\n

2007-2008 \u00a0 \u00a0 \u00a0<\/span><\/span><\/h4>\n

\u00c9tudiante en Classe Pr\u00e9paratoire de Lettres sup\u00e9rieures – Lyc\u00e9e Claude Monet – Paris<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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COLLECTIONS<\/h3>\n
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– <\/span>\u00c9cole Nationale Sup\u00e9rieure de la Photographie Arles<\/p>\n

– H\u00f4tel le Calendal – Arles<\/p>\n

– H\u00f4tel Rosalie – Paris<\/p>\n

– Mus\u00e9e des Beaux-Arts de Draguignan – Draguignan<\/p>\n

– Collections priv\u00e9es ( Paris – New-York – Barcelone – Milan – Lausanne – Rio)\u00a0<\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

[siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][\/siteorigin_widget] Pauline Rousseau est n\u00e9e en 1989, apr\u00e8s des \u00e9tudes de litt\u00e9rature (hypokh\u00e2gne) elle int\u00e8gre l\u2019Ecole du Louvre dont elle sort dipl\u00f4m\u00e9e en 2012. Elle\u00a0obtient le dipl\u00f4me de master II de l’Ecole Nationale Sup\u00e9rieure de la Photographie en 2016 et soutient un master II intitul\u00e9 D\u00e9bandade qui questionne les masculinit\u00e9s sous le prisme des […]<\/p>\n","protected":false},"author":1,"featured_media":185,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-59","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nInfos - Pauline Rousseau<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.paulinerousseau.com\/index.php\/cv\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Infos - Pauline Rousseau\" \/>\n<meta property=\"og:description\" content=\"[siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][\/siteorigin_widget] Pauline Rousseau est n\u00e9e en 1989, apr\u00e8s des \u00e9tudes de litt\u00e9rature (hypokh\u00e2gne) elle int\u00e8gre l\u2019Ecole du Louvre dont elle sort dipl\u00f4m\u00e9e en 2012. 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