{"id":199,"date":"2017-03-02T14:28:31","date_gmt":"2017-03-02T13:28:31","guid":{"rendered":"https:\/\/staging.paulinerousseau.com\/?p=199"},"modified":"2018-02-09T17:36:35","modified_gmt":"2018-02-09T16:36:35","slug":"porteurs-dencre","status":"publish","type":"post","link":"https:\/\/staging.paulinerousseau.com\/index.php\/2017\/03\/02\/porteurs-dencre\/","title":{"rendered":"Porteurs d’Encre"},"content":{"rendered":"

\u00a0Installation sonore –\u00a0<\/em>Portraits noir et blanc –\u00a0<\/em>Aiguilles entomologiques<\/em><\/p>\n

Ce travail existe \u00e9galement sous forme de livre d’artiste auto-\u00e9dit\u00e9<\/em>.<\/p>\n

 <\/p>\n

“la Po\u00e9sie de la canaille malheureuse” c’est ainsi qu’Albert Londres surnomme le tatouage en 1923.<\/p>\n

Ph\u00e9nom\u00e8ne \u00e0 la fois sociologique, esth\u00e9tique, \u00e9rotique, anthropologique et psychologique, le tatouage reste aujourd’hui encore sulfureux malgr\u00e9 une certaine d\u00e9mocratisation.<\/p>\n

Les porteurs d’encre\u00a0 inconnus jusqu’au moment de la prise de vue sont invit\u00e9s \u00e0 se d\u00e9shabiller dans le studio photographique et \u00e0 raconter leurs “bouzilles”.<\/p>\n

Douleurs physiques, cicatrisations plus ou moins r\u00e9ussies, pass\u00e9 que l’on aimerait oublier ou au contraire moments qui se veulent ind\u00e9l\u00e9biles s’entrem\u00ealent comme des motifs.<\/p>\n

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Vue d\u2019exposition, Palais de l\u2019archev\u00each\u00e9, Arles, juin 2016<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0Installation sonore –\u00a0Portraits noir et blanc –\u00a0Aiguilles entomologiques Ce travail existe \u00e9galement sous forme de livre d’artiste auto-\u00e9dit\u00e9.   “la Po\u00e9sie de la canaille malheureuse” c’est ainsi qu’Albert Londres surnomme le tatouage en 1923. Ph\u00e9nom\u00e8ne \u00e0 la fois sociologique, esth\u00e9tique, \u00e9rotique, anthropologique et psychologique, le tatouage reste aujourd’hui encore sulfureux malgr\u00e9 une certaine d\u00e9mocratisation. Les […]<\/p>\n","protected":false},"author":1,"featured_media":201,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"image","meta":{"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[2],"tags":[],"class_list":["post-199","post","type-post","status-publish","format-image","has-post-thumbnail","hentry","category-works","post_format-post-format-image"],"yoast_head":"\nPorteurs d'Encre - Pauline Rousseau<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/staging.paulinerousseau.com\/index.php\/2017\/03\/02\/porteurs-dencre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Porteurs d'Encre - Pauline Rousseau\" \/>\n<meta property=\"og:description\" content=\"\u00a0Installation sonore –\u00a0Portraits noir et blanc –\u00a0Aiguilles entomologiques Ce travail existe \u00e9galement sous forme de livre d’artiste auto-\u00e9dit\u00e9.   “la Po\u00e9sie de la canaille malheureuse” c’est ainsi qu’Albert Londres surnomme le tatouage en 1923. Ph\u00e9nom\u00e8ne \u00e0 la fois sociologique, esth\u00e9tique, \u00e9rotique, anthropologique et psychologique, le tatouage reste aujourd’hui encore sulfureux malgr\u00e9 une certaine d\u00e9mocratisation. 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